David Whitfield |
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David Whitfield had a style closer to light opera than that of a popular crooner, and commanded the respect of an admiring older generation through a period in which teenagers, not adults, would become the dominant record buyers. It was a style that he never changed despite the vagaries of fashion and the transient nature of the music industry of the time. He first came to wide public attention during 1950 after appearing in the Hughie Green hosted 'Opportunity Knocks' on Radio Luxembourg- a station that would become the focus for rock and roll music in the UK a few years later. David's own chart career began less than a year after a proper chart, showing the relative sales of recorded music, had begun. He had previously joined the Royal Navy while still in his teens and became a popular performer with his fellow seamen whenever he was given the chance to sing. Although he took a job as a labourer after his demobilisation, he began entering talent contests- including the one for Hughie Green's radio show. It was from this that he found himself in demand nationally and was able to switch from carrying cement bags to singing in the West End of London. It was then a short step to his recording career with Decca. His first big successes were with 'Bridge Of Sighs' and the controversial 'Answer Me'. His greatest success however was with his powerful rendition of 'Cara Mia'- the lyrics of which he claimed to have contributed to himself. This song was so successful that it became the first major US hit for a British artist- an extraordinary feat for 1954. |
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The EP shown on the right was typical of David's output during the late 1950s. It contained four numbers that benefited well from his powerful, strident, singing voice. However, these were all songs that he'd already had issued as singles. Nevertheless, this EP with sleeve notes and a picture of the singer is an attractive package for Whitfield fans. |
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Despite David's wonderful voice, his record sales began to slip at the end of the 1950s and by the early 1960s his career had settled down into stage rather than studio work. His popularity and fame were sufficient to keep his splendid tenor voice in popular demand up until the end of his life. Sadly, David Whitfield died in Australia during 1980. |
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Decca F10327 | 1954 | Cara Mia/ Love Tears And Kisses | #1 |
Decca F10355 | 1954 | Smile/ How When Or Where | |
Decca F10399 | 1954 | Santo Natale/ Adeste Fideles | #2 |
Decca F10458 | 1955 | Beyond The Stars/ Open Up Your Heart | #8 |
Decca F10515 | 1955 | Mama/ Ev'rywhere | #3 |
Decca F10562 | 1955 | The Lady/ Santa Rose Lea Rose | |
Decca F10596 | 1955 | I'll Never Stop Loving You/ Lady Of Madrid | |
Decca F10627 | 1955 | When You Lose The One You Love/ Angelus | #7 |
Decca F10690 | 1956 | My September Love/ The Rudder And The Rock | #3 |
Decca F10769 | 1956 | My Son John/ My Unfinished Symphony | #22 |
Decca F10833 | 1957 | Adoration Waltz/ If I Lost You | #9 |
Decca F10864 | 1957 | I'll Find You/ I'd Give You The World | #27 |
Decca F10890 | 1957 | Without Him/ Dream Of Paradise | |
Decca F10931 | 1957 | Ev'rything/ Martinella | |
Decca F10978 | 1958 | Cry My Heart/ My One True Love | #22 |
Decca F11018 | 1958 | On The Street Where You Live/ Afraid | #16 |
Decca F11039 | 1958 | The Right To Love/ That's When Your Heartaches Begin | #30 |
Decca F11079 | 1958 | This Is The Lucia/ Love Is A Stranger | |
Decca F11101 | 1959 | Willingly/ William Tell | |
Decca F11144 | 1959 | A Million Stars/Farewell My Love | |
Decca F11161 | 1959 | Our Love Waltz/Oh, Tree | |
Decca F11289 | 1960 | I Believe/ Hear My Song | #49 |
HMV POP1015 | 1962 | Impossible/ As Long As You Love Me | |
HMV POP1180 | 1963 | You Belong In Someone Elses Arms/ This Heart Of Mine |