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Kenny Lynch OBE must have tackled just
about everything that it's possible to have tried in UK show
business. He has performed as a singer, songwriter, dancer, actor,
and done stand-up comedy as well as sketches. He has worked in
management and production, helping many newcomers into the business.
This black cockney kid has come a long way since first singing
with his big sister Maxine in 1950. Kenny appeared very frequently
on our TV screens during the 1960s and he was such an all-round
entertainer that some people may associate him with different
things from that period. Certainly, Kenny was a groundbreaking
and creative comedian- although today's "alternative"
comedy may be thought to tackle taboo subjects, Kenny would doubtless
claim that he's done it all years before.
Although it was quite usual for comedians
to tackle a song at the end of their acts, Kenny's music was
a much more important part of his talent than for most. His material
was a little different too. He tackled a wide spectrum of music,
rather than just the token romantic ballad that drew most comedy
acts to a close. Whatever type of song he tackled he always ended
up with a truly professional and commercial sound. Although Kenny
didn't have that many big hits, all his recordings are well crafted-
there's not a dud side among them. He also demonstrated his ear
for commercial success by co-writing "Sha La La La Lee"
for fellow cockneys- The Small Faces. His co-writer was none
other than the legendary Mort Schumann- unlikely though that
might seem. |
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Kenny has done a lot less performing
in recent years although he has maintained an unusually high
output of singles for an artist who peaked in the 1960s. This
perseverance probably paid off by giving him a, perhaps unexpected,
chart entry in 1983 with "Half The Day's Gone And We Haven't
Earned A Penny". More time has perhaps been spent on management
and promotion of other artists. However, Kenny still makes the
effort to appear for charity from time to time- sometimes at
golf, when he gets the chance. |