Ronnie Carroll's chart career coincided
with the formative years of rock and roll although his singing
was still very much set in the style of a traditional crooner.
His career had begun in his home city where he gained a reputation
for his ability to emulate black American singers of the day-
noteably Nat 'King' Cole. He would apply black make up to gain
a credible visual effect much in the way that the then popular
'Black & White Minstrels' did on TV at around that time.
It was certainly this that gained him the nickname 'The Minstrel'.
These beginnings are undoubtedly seen today as bizarre, but even
in the late 1950s it was an unusual start. Despite this he was recognised
as having an exceptional singing voice in his own right and found it relatively easy to find
work in the variety theatre. It was on one such show that he
met and fell in love with his first wife, singer Millicent Martin.
It was shortly after they were married that she became familiar
to UK TV audiences through her weekly appearances on the 'That
Was The Week That Was' TV show. As a result of the couple's committment
to work they settled at this time in north west London.
Although somehow never quite breaking
through into the very top flight of British singers, Ronnie Carroll's
output on disc was well enough received. He was chosen as the
singer for Britain's entry in the Eurovision song contest in
1962 and with 'Ring-A-Ding Girl' achieved a creditable fourth
place. This success was followed by two top10 hits during 1962
and 1963, but unfortunately a lack of good material meant that
he could not sustain a chart presence. By 1965 he had gone two
years without even a minor hit and his marriage had broken down
leading to a separation.
Ronnie Carroll never managed to kick
start his chart career again and by the end of the decade even
his TV appearances had become few and far between. During the
early 1970s he abandoned his singing career and undertook a disastrous
business venture in the Winward Isles. Although he eventually
returned to London, he has not attempted to perform regularly again,
but has subsequently used his knowledge of the entertainment
business in a management capacity.
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