Billie Davis was a vivacious and talented
performer who probably deserved far more success in her 1960's
singles career than she achieved. She was in many ways an archetypal
sixties girl- dressing and behaving very much in keeping with
the optimism and free thinking of the period. Her version of
'Tell Him' looked like it could mark the beginning of a major
career for the young artist. However, she was lucky to survive
a car crash involving herself and bass guitarist 'Jet Harris'-
an accident that could easily have terminated both their careers.
Apart from her own solo output, she
appeared on record with other artists too. Her first taste of
success came with Mike Sarne's 'Will I What' on which she shares
credit for her notable, but small, vocal contribution. She later
joined forces with a singer from Birmingham called Keith Powell-
together they cut some unsuccessful singles under the name of
'Keith And Billie' (See Obscure
Artists Discography).
Billie's biggest hit was her first solo
release, but several of her other records should have finished
higher too. Her music moved with the times and her late 1960s
output was very different from the novelty she had cut with Sarne.
Although she reached the chart during 1968, her soulish versions
of 'Angel In The Morning' and 'Nights In White Satin' deserved
a better fate. In fact all her singles are worth seeking out. |